BERND MUNSTEINER
Reflections in Stone; 2. revised edition
224 pages
30.5 x 20 cm, 219 colour illustrations. Hardback with dust jacket.
German / English
€ 49,80 incl. VAT
Description
Please do also have a look at the DMS Spring 2011 Newsletter which is reporting about Munsteiner’s “Dom Pedro” – the largest single piece of cut and polished aquamarine in the world that is now exhibited in the National Museum of Natural History, Washington D.C.
Dramatic legends often grow up around gemstones, especially diamonds. Some precious stones as conventional wisdom has it are cursed, such as the Hope Diamond, the worlds biggest blue diamond. Most of its unfortunate owners suf-fered dire fates perhaps because the stone was originally stolen from a Hindu temple. Jean-Baptiste Tavernier, who presented the valuable Indian stone to King Louis XIV of France, was as the story goes torn by marauding dogs not long afterwards and many later owners of this ill-starred gemstone were ruined or died unnatural deaths.
Far from these popular superstitions associated with gemstones and just as re-mote from the glitzy world of stones featuring in jewellery, facet-cutting and the conventional market valuation of stones by carat and purity the artist Bernd Munsteiner (*1943) is on an entirely different plane with his very serious search for a new understanding of minerals. In the 1960s Bernd Munsteiner began to centre on natural mineral formations in his sculpture and was the first contemporary artist to do so. In his eyes, inclusions and impurities in crystals are what constitute the individual qualities of gemstones (rock crystal, aquamarine, citrine, etc) so his artistic quest starts with them. At first his pictures, objects and sculptures were made from agate but he later turned to transparent crystals. Hitherto unknown visual spaces are opened up to viewers not least through the transparency of the material. Magical landscapes in stone are enlarged into surfaces on to which the psyche can project.
Bernd Munsteiners intensive preoccupation with gemstones, however, has certainly not been unlucky for him. During a career spanning more than forty years, he has brought forth a rich uvre with which he is represented worldwide in public and private collections.
Spectacular works in sculpture such as the Metamorphosis cycle (carved from a rock crystal originally weighing 850 kg with needle-like rutile inclusions) and the 35-cm-high sculpture Dom Pedro Ondas Maritimas (the largest cut aquamarine in the world) have earned him international renown as a superlatively innovative modern gem-cutter. The stuff of legend indeed but in the most positive sense.
You must be logged in to post a review.
Reviews
There are no reviews yet.