Madeleine Frey, Galerie Stadt Sindelfingen (ed.)

#material4.0


BROWSE


96 pages
21 x 27 cm, 66 ills. Brochure with flaps
English / German

 28,00 incl. VAT



ISBN 978-3-89790-559-7 Category:

Overview

Based on the omnipresent term ʻIndustry 4.0ʼ, the publication #material4.0 reflects the interplay between the virtual world and the physical-real space. As part of the recent exhibition at Galerie Stadt Sindelfingen, thirteen international artists, mostly ʻdigital nativesʼ, examine how computerdependent automation and digitalization are reflected in an art context. How does art output change from production to the aesthetic? How is this kind of media used in posing artistic questions? The positions of digital art pioneers fill us in. The publication documents the exhibition with numerous illustrations of works and a collection of complementary texts.

Madeleine Frey (b. 1984) studied art history and economics at the Universities of Freiburg (DE), Lugano (CH), Basel (CH) and Cambridge (UK). She has curated exhibitions with, among others, Benjamin Appel, Ana Navas, Jacob Dahlgren and Capucine Vandebrouck, and has frequently opened up art to the public with such exhibitions as Light on (2015), Aktion&Malerei (2017) and Martin Pfeifle’s terr! (2018) at the Sindelfingen lido (DE).

Artists: Christian von Borries, Kate Cooper, JAK, Kanta Kimura, Mathilde Lavenne, Jung Lee, Florian Model, Manfred Mohr, Marco Schmitt, Lidia Sigle, Adam Słowik, Ivar Veermäe, Ryszard Winiarski

Exhibition: Galerie Stadt Sindelfingen (DE), 6.10.2018–3.3.2019

Reviews

There are no reviews yet.

Be the first to review “#material4.0”

You may also like…

Cookies on the website

If you continue without changing your settings, we’ll assume that you are happy to receive all cookies on the website. However, if you would like to, you can change your cookie settings at any time. You can find detailed information about how cookies are used on this website by clicking on ‘Find out more’